He also directed "The Cinema Of Discontent," a documentary about censorship in Iran.ĪKRAMI: The Iranian system is a theocracy, and in a theocracy it's always the government that prescribes the right behavior for the people. MOVSHOVITZ: Jamsheed Akrami teaches film at William Paterson University in New Jersey. He cares deeply about what's going on in his country, and his movies can be really probing and poignant commentaries on Iranian realities. JAMSHEED AKRAMI: Farhadi is an insightful social commentator. Was his wife sexually assaulted or only spied upon? She says she can't remember and nobody wants to go to the police because that will just create more problems. MOVSHOVITZ: And that gives rise to speculation among the neighbors and suspicion in the husband. And it's like a mirror that is broken on the ground, and everybody just see different parts of that mirror, just sees himself or herself in that broken mirror. It's like a puzzle that no one has the complete - the whole thing. Everybody sees the truth from their point of view. No one can agree on what happens after that, and the film doesn't show it.įARHADI: (Through interpreter) It's like in real life.
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Gradually, we learn that an old man looking for the prostitute who used to live there enters. In the film, the couple moves to a new apartment. MOVSHOVITZ: The cracks in the marriage are exposed by a single incident, just as they are in Miller's play. MOVSHOVITZ: The faulty construction is revealed by the stress of new construction next door.
#Death of a salesman full movie windows
The cracks on the windows and on the walls and then between the relationships of the people. MOVSHOVITZ: Writer and director Asghar Farhadi says the fractures in the apartment house are a metaphor.ĪSGHAR FARHADI: (Through interpreter) One of the themes in the film is about these cracks that happens around everything, both physically and mentally. As the film opens, they wake up to discover their apartment building is starting to collapse. HOWIE MOVSHOVITZ, BYLINE: Rana and Emad are a wife and husband who play the Lomans in a Tehran production of Miller's play. To receive the magazine, click here to subscribe.Asghar Farhadi, who is one of Iran's best-known filmmakers, won an Oscar for his film "A Separation." He's been nominated this year for his latest movie, "The Salesman." Howie Movshovitz of member station KUNC has this report on that new film, which was inspired by Arthur Miller's "Death Of A Salesman." This story first appeared in a June stand-alone issue of The Hollywood Reporter magazine. THR called the telecast “a stunning ensemble triumph.” It earned 10 Emmy nominations, with acting wins for Hoffman and Malkovich. According to one estimate, 300,000 theatergoers saw the 1984 Broadway production and 25 million watched it on CBS.
#Death of a salesman full movie movie
Miller, who died in 2005 at 89, was supportive of the telecast.īefore it aired, it screened at New York’s Museum of Broadcasting (now the Paley Center), where the playwright said that with Salesman he wanted “both an artwork and a popular thing.” The TV movie certainly popularized his play. The CBS airing financed the Broadway production: The network put up $600,000 of the play’s $850,000 cost in return for broadcast rights. Malkovich had been nominated for a supporting actor Oscar for 1984’s Places in the Heart Hoffman had a best actor Oscar nom for 1983 megahit Tootsie, after winning in 1980 for Kramer vs. Malkovich and Hoffman did Salesman at or on the verge of peak periods in their careers.
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“I think my biggest takeaway from the TV production was working with Volker Schlondorff and Michael Ballhaus, who brought talents and culture from an entirely different world,” says Malkovich. The New York Times had special praise for Malkovich’s Broadway debut, noting that he “gives a performance of such spellbinding effect that he becomes the evening’s anchor.” (Both actors and the play won Tonys.) The 1984 Broadway revival starred Dustin Hoffman, then 47, as aging salesman-in-crisis Willy Loman, with Malkovich, then 31, as his son Biff. Its deepest roots were in Arthur Miller’s 1949 Broadway play, which ran for 742 performances and won a Tony.
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John Malkovich, who would appear to be a strong contender for a nomination with HBO’s The New Pope, received his first Emmy for the 1985 TV movie Death of a Salesman, as best supporting actor.